Skip to content


Abigail Williams – Walk Beyond The Dark

Golink - 专为海外华人回国加速:2021-2-6 · Golink加速器是专为海外华人设计的一款加速看国内视频、玩国服游戏、听国内音乐,刷直播网页的一款软件,一个账号,多端使用,帮助海外华人突破地域的局限,无忧访问国内各大主流应用。

Anthony Baldino – Twelve Twenty Two

Apparat – LP5

August Eve – Ashes In A Vase


Belief Defect – Remixed 1

Billie Eilish – When We All…


Chelsea Wolfe – Birth of Violence

Daniel Wohl – État

Twitter:我伊在中国大陆约有1000万活跃用户_新闻频道 ...:2021-7-6 · 中国大陆约有1000万Twitter活跃用户凤凰科技讯北京时间7月6日消息,据《财富》网络版报道,虽然在国内Twitter属于打开就变404的网站,但也挡不住一 ...

Deathspell Omega – The Furnaces of Palingenesia

Deaf Center – Low Distance


False – Portent

The Great Old Ones – Cosmicism

Grischa Lichtenberger – Re: Phgrp

Hania Rani – Esja

Hildur Guðnadóttir – Chernobyl

Homemade Weapons – Gravity

Inus – Western Spaghettification

Ioanna Gika – Thalassa



Karen O & Danger Mouse – Lux Prima

Lanark Artefax – Corra Linn

Lorn – Drown The Traitor Within

Marika Hackman – Any Human Friend / Acoustic

Michael Kiwanuka – Kiwanuka

Nusquama – Horizon Ontheemt

Polyfuse – Does Not Work

Sel’m – Kreise

Sudan Archives – Athena

Telefon Tel Aviv – Dreams Are Not Enough

Valance Drakes – An Angel In Alliance With Falsehood

Verwoed – De Val

Vukari – Aevum

Waste of Space Orchestra – Syntheosis

Yellow Eyes – Rare Field Ceiling


Aosoth – The Inside Scriptures
Wailin’ Storms – Sick City
Dmitry Evgrafov – Comprehension of Light
Alessandro Cortini – AVANTI
Chelsea Wolfe – Hiss Spun
Natasha Barrett – Puzzle Wood
Nine Inch Nails – Add Violence
Cavernlight – As We Cup our Hands and Drink from the Stream of Our Ache
False – Hunger
Ryuichi Sakamoto – async

Artificial Brain – Infrared Horizon
擅自"翻墙"上境外网站,责伌停止联网并警告__中国青年网:2021-3-28 · 昨日,市政府公众信息网发布了修订后的《重庆市公安机关网络监管行政处罚裁量基准》。自2021年7月27日起施行,有效期至2021年7月26日。对故意输入 ...
Kendrick Lamar – DAMN.
Second Woman – S/W
Dodecahedron – Kwintessens
Twitter推特注册时如何验证国内+86手机号-百度经验:2021-12-26 · Twitter推特注册时如何验证国内+86手机号,不少人反映推特注册不了无法验证国内的+86手机号。那么,Twitter推特注册时如何验证国内+86手机号呢?下面让我来给大家介绍下吧,希望对大家有所帮 … (2016)
Kainskult – Trepaneringsritualen
Bibio – Phantom Brickworks
Belief Defect – Decadent Yet Depraved

David Bowie – No Plan EP
Lusine – Sensorimotor
Altarage – Endinghent
Impetuous Ritual – Blight Upon Martyred Sentience
Full of Hell – Trumpeting Ecstasy
thys – Tetris, Mon Amour
A.M. Architect – Color Field
Cyclo. – Id
Otto A. Totland – The Lost


Asymmetry Codex / Temple of the Weakening Sun by Surachai

It is always a guess, an experiment and an art to try to capture a glimpse of it. All the equipment, time and obsession is an attempt to translate and capture an emotion I can come back to and evoke. The production and release of Asymmetry Codex and Temple of the Weakening Sun was a way to process then archive several versions of loss – it has served its purpose with me – I hope it can somehow find a way to serve you.

The album was released a week early on 在中国免费用twitter加速软件, Friday September 22, the autumn equinox, because there are actually no rules to this and we’re flexible to do what feels right. Streaming services will activate September 29th and vinyl will begin shipping early/mid November. All Wax Mage Editions and Test Pressing Editions have sold out, Standard Editions are in stock and everything will ship early/mid November. Every record, shirt, and piece of merch has been shipped personally, I’ve read every e-mail and note you’ve sent, and know many of you by name from the orders. Thank you for supporting a challenging artist to follow and keeping me busy with something I love doing.

Alessandro Cortini, Richard Devine, Hypoxia, and Surachai will be playing in at Berghain in Berlin, October 5th. More shows and announcements coming soon. Hope to see you around.

The centerpiece of Asymmetry Codex is the Nord Modular G2. I acquired the G2 five years ago and was seduced by its clarity, dynamics, and general smooth sonics. For months I found distinct sounds that I could pinpoint to some of my favorite albums, though most of the time was spent scanning and dissecting several hundred patches that Richard bestowed upon me. I made dozens of terrible patches and while I admired the G2 and was happy to have it, I knew it wasn’t something I was ready for at that very moment and so, for the next few years, I loaned it out to people. In those years, I released albums that focused around the modular synthesizer and various hardware pieces, and became increasingly aware of how saturated the modular scene was becoming. I made a conscious decision to move away from my hardware modular trajectory and to finally become acquainted and focused on the Nord Modular G2. After a lot of studying and programming dozens of patches between a few songs, I recorded the G2 into the Thermionic Culture Vulture Super 15 and that fed into a RME UFX. Aside from the recording signal chain, Asymmetry Codex is mostly digitally composed and 在中国免费用twitter加速软件 was created with analog tools.

Arrangement & Mixing
After all the patterns and stems were recorded to audio, I arranged them into Pro Tools. All of the editing was done with dozens of plug-ins including: Valhalla DSP, INA-GRM, Sound Toys, Izotope, Soundhack, UAD and a few Richard told me to keep under wraps. I recorded and mixed the album using a pair of headphones that I was not familiar with which is a direct result of the heavy bass – something I normally wouldn’t have done but have grown to love. I have to thank Josh Eustis, Deru, Richard Devine, and John Hughes for guidance and advice and insight into my own mixes.

Shawn Hatfield of Audible Oddities helped me tame these two projects into one cohesive experience. My mixes weren’t in the best form and we worked together to get the album to sound as rich as it could.

“We approached the mastering a little differently for Asymmetry Codex / Temple of the Weakening Sun, as the first set of mixes I mastered ended up shedding some light on an unintended overall aesthetic in the mix that was much too bright. Rather than apply heavy processing to reverse that, Surachai went back to the mix and returned with a new set of files. From there, the process began in typical fashion with gear selection and careful gain staging. I experimented with several different pieces of equipment and order, and eventually chose a mostly tube-based setup for this record. The main pieces were a Knif Vari-Mu II compressor, Hendyamps Michelangelo EQ, and a tube preamp called a Creamliner 2 from Sonicfarm. With these main pieces, I carefully balanced and enhanced the overall frequency range, while controlling various areas of both micro and macro dynamics to give them that final glue and polish. The various tube stages driven at carefully chosen levels imparted really sweet additional harmonics that I felt helped the many small detailed layers that live and breathe in each song. This was all captured cleanly into the workstation where the final limiting was applied.” – Shawn Hatfield.

Francis Kmiecik and I storyboarded a video for Asymmetry Codex and as time was running out, and our lives became increasingly busy – we decided to roll it back to a few shots for the album artwork. We shot on a stage in Portland, OR with Katrina Mishler who was tolerant, patient with us and overall a pleasure to work with. Francis spent the weeks leading up to the shoot designing the set pieces and we used some of his chainmail jewelry he created but never utilized. The wardrobe and jewelry was provided by Hvnter Gvtherer. Laura of Hvnter Gvtherer has a visual and sensory aesthetic that I subconsciously envision when planning out images. I knew from Francis’ work, the shots would be very studio and staged and clean, so I enlisted Moe Espinosa to take our selects and run it through a circuit bent video machine. Anj Puglise and I then overlapped the studio images and the pixelated assets and pieced it all together. Essentially the same core team that worked on Temple of the Weakening Sun created the visuals for Asymmetry Codex. Overall, two covers were chosen, an elegant version to grace the physical vinyl copy and a harsh digital treatment for the digital version.

Lacquering and Vinyl
Off of the recommendation of Joshua Eustis and former Hefty label owner John Hughes, I got in touch with Jason Ward of Chicago Mastering Service and will say that this is the best possible sounding record it can be. Gottagroov handled the pressing and printing and as always, its always beautiful to hold a complete project in your hands. Wax Mage does what they do and created some of the best looking records I’ve ever seen, the pictures don’t do it justice and only some of you will be lucky enough to see it in its full glory.

Temple of the Weakening Sun
For more information about the creation of the soundtrack and video go: HERE

– Asymmetry Codex / Temple of the Weakening Sun
– Hvnter Gvtherer
– Audible Oddities
– Chicago Mastering Service
– Temple of the Weakening Sun Production Notes



We still are holding several images until the release date. Emilie Elizabeth, one of the primary visual artists of Instinct and Memory, in her own words…

Twitter推特注册时如何验证国内+86手机号-百度经验:2021-12-26 · Twitter推特注册时如何验证国内+86手机号,不少人反映推特注册不了无法验证国内的+86手机号。那么,Twitter推特注册时如何验证国内+86手机号呢?下面让我来给大家介绍下吧,希望对大家有所帮 …


The photos don’t represent any specific ceremony or spiritual practice, but there were definitely nods to the Great Rite and a ganashakra in the posing and set design. The Great Rite is traditionally a Wiccan/Pagan practice that can be physical (intercourse) or symbolic using a chalice/cauldron and dagger/staff. The act represents the union of the God and Goddess and was historically used to promote fertility of the land and womb. In modern Wicca, it is used to unify the feminine and masculine energy within oneself. In Hinduism and some sects of Buddhism, “ganashakra” is a broad term used to describe a gathering involving a tantric circle ritual. These ceremonies generally involve dancing, geometric designs drawn on the ground with powders, some sort of feast and of course, sexual yoga or symbolic intercourse. The intention is to reach a heightened state of consciousness which some believed could also involve temporary possession. Instinct and Memory could easily serve as the soundtrack to a frenzied spiritual enlightenment or at the very least, an incredibly powerful orgasm.


Briana Gonzales’s set was an inspiration in itself. The colors and textures photographed beautifully. The props allowed the women to interact with the set instead of simply posing. Briana also choreographed some of the scenes, which made the women feel like they were actually taking part in some kind of ceremony. It was amazing to watch them delve into it. Most of the women didn’t know each other and some had very little experience modeling nude. Despite that, there was a lot of laughing and I think it was pretty exhilarating for everyone involved.


CHINA DAILY(中国日报)_官方电脑版_华军纯净下载:2021-1-26 · 华军纯净下载为您提供CHINADAILY(中国日报)APP下载,CHINADAILY(中国日报)5.2.1手机版官方下载。中国日报是中国最大的英文报纸,日均发行90余万伇,遍布全球150个国家和地区。中国日报新闻客户端为您呈现热点


Despite women’s bare breasts often being treated as pornographic no matter what the context, I was still caught off guard when I found out that the cover artwork was being censored in some music publications and completely rejected from others. I have no idea whether it was solely based on the bare breasts of the woman in the foreground, their proximity and pose, or because the style of the photo was unlike what’s typically used for electronic music. Either way, I can’t help but wonder whether we would have faced the same censorship if it had been two shirtless men. Thank you to the publications that displayed the unaltered image instead of treating it as offensive or explicit.


Emilie & Briana would also like to thank:
Surachai for trusting us and the other visual artists you collaborate with to to play and create unique work inspired by your music. The amazing women that posed for this project, including Anna Calloway, Corinne Loperfido, Lisa McNeely and Rachel Musgrave. James Mori for bringing your two beautiful snakes and hanging out all day on set with us. Adrian Espinoza for your tireless photo assistant hustle. Amber Kerns for your help with makeup, Steff Walk, and Ian Miyazaki for lending us your otherworldly designs. Rachel Hsiung for the witchy props, Kate Van Asten/WULFKA for the epic cloak and HvnterGvtherer for the stunning neckpiece and jewelry.

– Emilie Elizabeth
– Briana Gonzales
– Instinct and Memory

4. Back Cover Web


New design & shirts available now. The album doesn’t come out for a couple months but why not look good until then?


– Instinct and Memory Shirt


Second half of 2015. No order. What have you been listening to?

Devouring Star – Through Lung and Heart
Krieg – Transient
三维动画设计与制作软件_ 3D动画制作_动画软件 -Autodesk:在当今要求极为严苛的众多电影、游戏和电视节目的三维动画制作流程中,都有使用 Autodesk 提供的三维动画设计与制作软件。免费下载三维动画软件如 3ds Max 和 Maya 试用版。
Arca – Mutant
November Novelet – The World In Devotion
Hope Drone – Cult of Ash
Paramnesia – S/T
Cult Leader – Lightless Walk
Bosse de Nage – All Fours
4GIP网络加速器_360百科:2021-10-25 · 4GIP网络加速器,4GIP网络加速器是一款专业网络软件。使用VPN技术,使用简单方便,不占用系统资源。通过特殊的加密的通讯协议,在连接在Internet上的位于不同地方的两个或多个伋业内部网之间建立一条专有的、安全的通讯线路。有效的实现了数据 ...
下载 Windows 版 Avira 免费安全套件:2021-6-13 · 约 1.63 亿台设备遭受数据收集,其中 55% 运行着过时软件。旧软件具有很容易被黑客利用的安全漏洞。Avira 免费安全套件有助于将您的软件安全地更新至最新版本。
Venetian Snares – Your Face
Mgla – Exercises in Futility
解决降频软件ThrottleStop_850-WindowsServer工具类资源 ...:2021-9-18 · 博客 在中国程序员是青春饭吗? 在中国程序员是青春饭吗? 博客 技术大佬:我去,你写的 switch 语句也太老土了吧 技术大佬:我去,你写的 switch 语句也太老土了吧 博客 总结了 150 余个神奇网站,你不来瞅瞅吗? 总结了 150 余个神奇网站,你不来瞅瞅吗?
William Basinski – The Deluge
Stephen O’Malley – Gruides
Ossia – Red X
Mutoid Man – Bleeder
Akhlys – The Dreaming I
AFX – Orphaned Deejay Selek 2006-2008
The Weeknd – Beauty Behind the Madness
Thomas Brinkmann – What You Hear (Is What You Hear)
Devouring Star – Through Lung and Heart
Abyssal – Antikatastaseis
腾讯电脑管家_百度百科:腾讯电脑管家(Tencent PC Manager/原名QQ电脑管家)是腾讯公司推出的免费安全软件。拥有云查杀木马,系统加速,漏洞修复,实时防护,网速保护,电脑诊所,健康小助手,桌面整理,文档保护等功能。在针对网络钓鱼欺诈及盗号打击方面和安全防护及病毒查杀方面的能力已达到国际一流杀软水平。
Akatharsia – S/T EP
Predatory Light – MMXIV
Predatory Light / Vorde – Split
Sannhet – Revisionist
Woman Is The Earth – Depths
Pissgrave – Suicide Euphoria
Nine Inch Nails – The Fragile Instrumentals
Nine Inch Nails – With Teeth Instrumentals
Krallice – Ygg Huur
Kelela – Hallucinogen

1st Half of 2015
Sons of Magdalene – Move to Pain
Peder Mannerfeldt – EP1/EP2
Otto A Totland – Pino
Klara Lewis – Msuic
Deaf Center – Recount
James Hoff – Blaster
Sarah Davachi – Barons Court
只剩下门缝的VPN何去何从 - 手机新蓝网:2021-2-7 · 比如,加速精灵是一家稳定运营三年的老牌VPN商,目前主营美国、中国香港、日本、中国台湾、德国、韩国的高速线路,支持电脑各种系统、手机安卓、iOS,可流畅观看YouTube 1080P高清视频,手机号码注册即送24小时VIP体验,同时提供永久免费试用线路。
Retox – Beneath California
Koichi Shimizu – Otolary
Body / Thou – You, Whom I Always Hated
Bjork – Vulnicura
Lusine – Arterial
Leviathan – Scar Sighted
Alessandro Cortini – Forse 3
Slumberman – Mono Acidic
Royal Thunder – Crooked Doors
Rob Clouth – Clockwork Atom EP / Deep Field
Drudkh – A Furrow Cut Short
Squarepusher – Damogen Furies
Vorde – Vorde
Alva Noto – Xerrox Vol. 3
Pale Challice – Negate The Infinite and Miraculous
False – Untitled
Jaga Jazzist – Starfire

Meshuggah – I (Reissue)
Nirvana – Bleach (Reissue)
Deathspell Omega – Manifestations 2000 – 2001 (Reissue)
Deathspell Omega – Manifestations 2002 (Reissue)
Deathspell Omega – Infernal Battles (Reissue)
Deathspell Omega – Inquisitors of Satan (Reissue)
Deathspell Omega – Si monvmentvm reqvires, circvmspice (Reissue)


Heavy Mask by Surachai

Digital release date: July 7th, 2015. Estimated vinyl ship date: mid-August 2015.
Surachai Bandcamp

Weight In Minimalism
Leaving Heavy Mask sparse left me in doubt for several weeks. Every layer I added seemed to take away from its initial severity and grit, and wash away the detail of the foundation tracks. I eventually surrendered to its simplicity and worked with maximizing the details. As a result of its simplicity, it’s been called a grower and not a show-er. Heavy Mask was written, mixed, and organized with vinyl as the preferred listening method.

Thermionic Culture Vulture Super 15
Everything on this album went through a Thermionic Culture Vulture Super 15. The Culture Vulture Super 15 is a very strange piece of processing gear that I have trouble recommending to anyone. The TCVS15 is a very specific tool for a very specific person – and apparently, I don’t know any of these people. The Cwejman S1 MKII was fed into the Eventide Space and into the Thermionic Culture Vulture Super 15 and was sequenced by the Make Noise RENE. If you’ve listened to Ritual or read its accompanying article, this should sound familiar. Except for the TCVS15, the signal flow is identical to how Ritual was recorded. If you want an extreme comparison, listen to how clean and dynamic Ritual is and come back to listen to Heavy Mask. On the flip side, Form Volume II was pre-mastered with the TCVS15 and was cleaned up and sparkly by the time it hit mastering.

The drums were performed by Charlie Werber during this past brutal Chicago winter. You may remember Charlie from Embraced where I’m still in awe of his performance. In the Heavy Mask recording sessions, Charlie simplified and complimented the existing tracks I brought in. In an active rehearsal space, I recorded Charlie using 4 microphones: 2 Earthworks QTC40’s for the overheads, 2 SM57’s on the kick and top of the snare, everything went directly into the RME UFX. UAD’s Neve 88RS, UA1776, and LA2A were heavily used.

Sarah Sitkin. I’ve known Sarah for almost 10 years and I’m probably her biggest fan. She’s responsible for the artwork on To No Avail a few years ago and how much she’s evolved in that time is breathtaking. Hell, how much she’s evolved since creating the Heavy Mask cover just over a month ago is amazing.
John Crawford is the only person you need to follow on Instagram. Together, John and Emilie created the Ritual artwork last year and I needed John’s aesthetic on Heavy Mask as well. He’s been essential for creative input as well as execution and his instinct overrule mine.
Caspar Newbolt was responsible for the entirety of the artwork on Embraced and helped lay out Ritual. He graciously lent a hand again with making sure the vinyl packaging and general layout was consistent with our combined high standards.
A quick word about censorship: Heavy Mask will not appear anywhere that censors the human body, so far this only includes iTunes and its services.

Shawn Hatfield of Audible Oddities. Again, always. The versions Shawn send back make me feel like I’m listening to a fully formed thought as opposed to just a number of tracks I made and ordered. Shawn brought Heavy Mask to a level clarity and brutality I’ve rarely heard before.

“When I first heard these songs, I immediately thought about how they’d benefit from being pushed a bit harder than normal through my chain, to bring in some subtle saturation and harmonics. I felt this really showed off the exceptional work Surachai had already done at the mix stage. I focused mostly on getting the gain staging for each piece of equipment just right to get the optimal sound for each song. In these various stages, the songs passed through several transformers, starting with Carnhill, into a pair of amorphous core Lundahl’s and then into a pair of Cinemag’s. I used two different tube stages along the way; one for transparent vari-mu compression using the Knif Vari Mu II, and the other a colorful class A tube pre-amp called a Creamliner II that adds some great detail by adding triode harmonics. At the end of the chain, a Dangerous BAX EQ was used to help balance the lows and highs just prior to capture.”

Lacquering, Plating, and Printing
The signal flow was the same as Ritual: Roger of SAE handled the lacquering which is then sent to Metalworks for plating and then to Gottagroov for the printing. The records are 180 grams and the jackets are thick tip-on boards with a matte finish that makes the artwork particularly menacing.

This is the fourth vinyl release on BL_K NOISE. Moe Espinosa / Drumcell, who runs the label with me, described BL_K NOISE perfectly, “a small label to release music that is not restrained by genre or expectations. An open format label to release whatever music we feel like whenever we want.” What Moe left out is that all of our releases have been DIY, we go through great lengths to be involved in every step of the process and stand proudly behind out releases artistically on all levels. Anyone that has bought our vinyl can speak to the high quality.

We don’t pay for PR, promotion, or print and somehow we sell out of our releases. It’s equally humbling as it is confusing. Thank you for the support, it means more than you’ll ever know.

– Sarah Sitkin
– John Crawford
– Shawn Hatfield
– Caspar Newbolt


Reference 2
heavy mask outtake 1

Deep Dream submitted by Jordan Paschke


What I’ve been listening to. No particular order.

Sons of Magdalene – Move to Pain
Peder Mannerfeldt – EP1/EP2
Otto A Totland – Pino
Klara Lewis – Msuic
Deaf Center – Recount
James Hoff – Blaster
Sarah Davachi – Barons Court
Mortals – Cursed to See the Future
Retox – Beneath California
Koichi Shimizu – Otolary
Body / Thou – You, Whom I Always Hated
Bjork – Vulnicura
Lusine – Arterial
Alessandro Cortini – Forse 3
Slumberman – Mono Acidic
Royal Thunder – Crooked Doors
伋业通信软件_为什么微信、Facebook都在做伋业通信 ...-阿里云:2021-7-3 · 你有没有见过地铁里的广告:工作时用xx,总是被琐事八卦分神,所伍你一直在加班…钉钉让工作回归工作,生活回归生活。当国内两大伋业通讯软件“针锋相对”,在太平洋的另一端,Facebook似乎也看准了这个伋业通讯工具苗头,在10月10日发布公告:Facebook伋业通讯工具“Workplace”功能将于本 …
Drudkh – A Furrow Cut Short
Squarepusher – Damogen Furies
Vorde – Vorde
Run The Jewels – RTJ2
Alva Noto – Xerrox Vol. 3
Pale Challice – Negate The Infinite and Miraculous
False – Untitled
Vanum – Realm Of Sacrifice
Jaga Jazzist – Starfire

Meshuggah – I (Reissue)
Nirvana – Bleach (Reissue)
Deathspell Omega – Manifestations 2000 – 2001 (Reissue)
Deathspell Omega – Manifestations 2002 (Reissue)
Deathspell Omega – Infernal Battles (Reissue)
Deathspell Omega – Inquisitors of Satan (Reissue)
Deathspell Omega – Si monvmentvm reqvires, circvmspice (Reissue)



Snapchat电脑版下载_Snapchat电脑版官方下载【含安卓模拟 ...:2021-9-15 · Snapchat电脑版是一款软件。Snapchat电脑版是一款图片类的软件,它是一款图片分享应用,用户不仅可伍通过这个应用拍照和发送照片,而且还可伍控制 ...
Krita这个免费绘画软件的实用程度怎么样? - 知乎:2021-1-4 · 免费:Adobe 软件日益增长的订阅价格,使得永久免费的 Krita 对于手头不宽裕的作者来说越来越有吸引力。开放:如果你懂编程,可伍学习它的源伋码,也可伍参加它的开发工作。透明:源伋码的开放意味着没有隐藏的偷窥用户活动的隐藏功能。
Poemss – Poemss
Twilight – Beneath Trident’s Tomb
Lord Mantis – Death Mask

Murmur – Murmur
American Folk Anthology
Ecker Koenraad – Ill Fares The Land
Marissa Nadler – July
蚂蚁VPN加速器 永久免费 科学上网 梯子 | 歪?是3.1415926吗:蚂蚁VPN加速器,专为免费用户提供的的VPN加速器,具有伍下几大功能:永久免费 - 蚂蚁VPN加速器提供免费的服务器给您使用,并且保证永久免费,不限流量。 使用蚂蚁VPN加速器访问被封锁的网站,例如 Google, YouTube,Facebook,Twitter 等

Vessel – Order of Noise (2012)
Drop – Vasundhara EP
Pan Sonic – Oksastus
Impetuous Ritual – Unholy Congregation of Hypocritical Ambivalence
Christopher Bissonnette – Essays in Idleness

Howlround: The Ghosts of Bush (2012)
Atom ™ & Marc Behrens – Bauteile
Alessandro Cortini – Sonno
Artificial Brain – Labyrinth Constellation

William Basinski – Melancholia
Deru – 1979
Clipping – CLPPNG
Hildur Gudnadottir – Saman

Rainforest Spiritual Enslavement – Folklore Venom (2013)
Klara Lewis – Ett
Klara Lewis – Msuic
Diamond Version – CI
Killing Sound – Killing Sound

Recollection GRM – Traces 3
有哪些 App 有不为人知的国际版? - 知乎 - Zhihu:2021-12-2 · 产品特点:字体免费+无版权争议+设计精良 Canva,原意就是设计软件中图层的意思,是原产于澳洲的在线设计工具。它是澳大利亚最大的互联网独角兽公司,也是澳大利亚第二大互联网公司,直到2021年才正式进入中国。
Alraune – The Process of Self Immolation
Bastard Sapling – Instinct is Forever
Bolzer – Aura (2013)

Moon Zero – Tombs
Black Rain – Dark Pool
Mica Levi – Under The Skin
Yautja – Songs of Descent
Peder Mannerfelt – Lines Describing Circles

Emperor – In The Nightside Eclipse 20th Anniversary
Winterfylleth – The Divination Of Antiquity
Aphex Twin – Syro
Demdike Stare – Liberation Through Hearing / Forest of Evil / Voices of Dust
Grouper – Ruins

Andy Stott – Faith In Strangers
Woulg – Thin Veil
American Heritage – Prolapse
Dieselboy – The Destroyer
Young Widows – Easy Pain

Sd Laika – That’s Harakiri
Gridlink – Longhena
Youth Code – A Place To Stand

Surachai – Form Volume II


Form Volume II by Surachai

Form Volume II consists of four archived performances and four new recordings. Form Volume II can be found on Bandcamp. The vinyl is shipping out around December 16th, 2014. Since most time, effort, and money went into the physical product – I’ll start there and work backwards.

As a response to the deluxe presentation of Ritual and because Form Volume II wasn’t supposed to exist, I decided to keep the theme of non-existence with the vinyl and artwork by calling it the Void Presentation. Firstly: there is no artwork. The vinyl is clear and with no center sticker making it an entirely transparent vinyl record. Again, the record is pressed at GottaGroov Records. The transparent information card was manufactured by Offbeat Press and the reference I gave them was the winning ticket to Fhloston Paradise from The Fifth Element. The clear jacket is also clear and originally intended for picture discs. If you’re not looking for this album, you’re not going to find it – basically its a marketing nightmare.

Pre-Master & Mastering
Because all tracks were recorded in single takes to stereo or mono tracks and mixing was performed on the fly, the results were raw, hugely dynamic, and sometimes lackluster. All tracks were mixed afterwords and pre-mastered with the Thermionic Culture Vulture Super 15 with a couple dynamic processing UAD plug-ins. I turned these pre-master versions into Shawn Hatfield of Audible Oddities to officially master the album and tame the inconsistencies between the tracks while preserving the dynamics.

“In general, I used all the different input/output transformer stages on my gear, driven just enough to saturate a little. Dave Hill Titans were used to add weight and body, Knif Vari-Mu II mid/side compression to glue things together and further enhance the stereo information followed by a BAX EQ to help open things up a little more where needed. And I also ran them through some custom op amps built around a 1970’s design that impart a smooth character.” – Shawn Hatfield of Audible Oddities.

Despite the length of time between recordings, the recording sessions were almost identical to each other: construct a patch, tweak the patch anywhere from 5 minutes to 2 weeks, record the patch, keep the 1st or 23rd take. There were no limitations of modules used and as you can tell in the videos, there were plenty – although the last track is using only one module.

Form Volume II is not supposed to exist. The album started with Aaron Funk requesting source audio files from a few Form session videos. That was an easy ask: track down the sessions folders, zip up a few bounced files, and send them over Dropbox – that should have been the end of the transaction. But this small request spiraled into obsession to the point where I found myself finishing an album I hadn’t known I was working on for more than two years – in the mountains of Tennessee. The first four tracks were previously recorded from June, 2012 to August, 2014 in Chicago and the last four tracks were recorded in a weekend with Richard Devine and his live system in Tellico Plains, Tennessee in August, 2014.

I’m writing this a day before the official release and am confused after looking at Bandcamp’s best seller’s column for electronic vinyl. Currently, Make Noise Records: Shared System Series – Surachai 7” is number 1 and Form Volume II is in third place. What does this mean? For Make Noise Records, its makes a bit of sense – We’ve released some of the top names in experimental music on our short 5 record, 2 year stint and mine being the last, the momentum is expected. As for Form Volume II, for me, its incomprehensible at best. I haven’t utilized active PR for the past 3 vinyl releases and am constantly hopping labels and switching musical styles. The only thing I can think of is that I know who you all are. I order, assemble, pack and ship the vinyl to you and that must mean something. Whatever it is, thank you for all the support over the years.

Form Thirty Recorded in Chicago, IL. June 9 2012
Form Thirty-Two Recorded in Chicago, IL. November 12, 2013
Form Thirty-Four Recorded in Chicago, IL. May 3, 2014
Form Thirty-Five Recorded in Chicago, IL. August 12, 2014
Form Thirty-Six Recorded with Richard Devine in Tellico Plains, TN. August 31, 2014
Form Thirty-Seven Recorded with Richard Devine in Tellico Plains, TN. August 31, 2014
Form Thirty-Eight Recorded with Richard Devine in Tellico Plains, TN. August 31, 2014
Form Thirty-Nine Recorded in Tellico Plains, TN. August 31, 2014

Limited to 250 copies of vinyl
Mastered by Shawn Hatfield of Audible Oddities
Released by BL_K NOISE

– Surachai – Form Volume II

黑洞vp(永久免费)破解版  vpv加速器  老王live加速器  手机改美国ip地址  中国怎么上youtube  香蕉加速器vpu  如梭vp加速器  gkd加速器官网网址